Photography

From city to coast: The incredible infrared art of Paolo Pettigiani

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These were shot using a DJI Mavic Pro 2 drone
Paolo Pettigiani
The Maldives Series
Paolo Pettigiani
These were shot using a DJI Mavic Pro 2 drone
Paolo Pettigiani
The photography technique captures invisible spectrums of light, with organic matter containing chlorophyll glow with a red hue
Paolo Pettigiani
The Burj Khalifa from the desert
Paolo Pettigiani
The drone's camera has been converted into a full-spectrum camera
Paolo Pettigiani
Pettigiani uses a filter blocking light above 590 nanometers 
Paolo Pettigiani
This is the first time Pettigiani has photographed tropical islands
Paolo Pettigiani
The Maldives
Paolo Pettigiani
The technique captures a gorgeous color contrast between the blue oceans and the red trees
Paolo Pettigiani
The colors are captured mostly in camera with very little post Photoshop work
Paolo Pettigiani
A red island in the Maldives
Paolo Pettigiani
Shot with a DJI Mavic Pro 2
Paolo Pettigiani
Pettigiani mostly targets the 590 nm wavelength of infrared light
Paolo Pettigiani
Blue meets red
Paolo Pettigiani
The Maldives, in the Indian ocean
Paolo Pettigiani
This is the first time Pettigiani has photographed tropical islands
Paolo Pettigiani
The Maldives Series
Paolo Pettigiani
Dubai at night
Paolo Pettigiani
Photographed from the Shangri-La hotel in Dubai
Paolo Pettigiani
Infrared photography captures a spectrum of light normally invisible to the human eye
Paolo Pettigiani
Green becomes red in this kind of infrared photography
Paolo Pettigiani
The Burj Khalifa
Paolo Pettigiani
Pockets of red suggest more greenery in Dubai than one would have expected
Paolo Pettigiani
Pockets of red suggest more greenery in Dubai than one would have expected
Paolo Pettigiani
A famous highway intersection in Dubai
Paolo Pettigiani
The Dubai Series
Paolo Pettigiani
View gallery - 26 images

Italian photographer Paolo Pettigiani has been experimenting with capturing the infrared spectrum of light for several years, most notably turning New York's Central Park into a psychedelic wonderland. His latest work explores two fascinating infrared contrasts: the imposing concrete jungle of Dubai and the amazing tropics of the Maldives.

Pettigiani's work is primarily created using full-spectrum converted cameras. While the Dubai photographs used a converted Nikon D750, the Maldives shots were taken using a converted DJI Mavic Pro 2.

The Maldives Series
Paolo Pettigiani

"Those conversions involve removing the lowpass filter in the camera and replacing it with a clear glass," Pettigiani explains to New Atlas. "This enables the full sensitivity of the camera's sensor, making it sensitive to UV, visible, and IR light. This allows you to pick and choose which parts of the spectrum your camera captures depending on which screw-in filter you use in front of your lens."

Both sets of images were created using a 590 nanometer filter, with only mild editing work done in Photoshop to slightly adjust the colors. The technique essentially takes organic elements containing chlorophyll, and captures the infrared light they reflect, turning an invisible wavelength into a visible otherworldly red hue.

The Burj Khalifa from the desert
Paolo Pettigiani

The Dubai photographs compellingly highlight an impressive amount of greenery in a city filled with concrete and glass structures. Pettigiani's Maldives images, meanwhile, offer a great contrast to the city shots. Celebrating aerial photography, the images offer a unique perspective on classical tropical landscapes, contrasting the gorgeous blue ocean and white sands with the dense patches of surreal red trees and jungle.

Pockets of red suggest more greenery in Dubai than one would have expected
Paolo Pettigiani

Take a look through our gallery at more of Pettigiani's amazing city and coast infrared photographs.

Source: Paolo Pettigiani, Instagram

View gallery - 26 images
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1 comment
Buzzclick
All these years I have been fascinated by fluorescent colors with UV light used to light a physical space. This opposite method relies on photographs, which explains why Mr. Petigianni has to watermark even the smaller pics. It is interesting though, even if someone can do the same thing of turning green to red with Photoshop without any filters. Still, to see these images in Hi Res must be cool, but they do show how terribly flaky much of the architecture of Dubai is.