Photography

Review: Panasonic's DC-FZ80 superzoom is more than a one-trick pony

Review: Panasonic's DC-FZ80 su...
Panasonic DC-FZ80: the 35mm equivalent of a 20-1200mm lens. Yeah, that's crazy.
Panasonic DC-FZ80: the 35mm equivalent of a 20-1200mm lens. Yeah, that's crazy.
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Panasonic DC-FZ80: it's happy to see you
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Panasonic DC-FZ80: it's happy to see you
Panasonic DC-FZ80: 1040-dot, 3-inch rear touch screen
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Panasonic DC-FZ80: 1040-dot, 3-inch rear touch screen
Panasonic DC-FZ80: autofocus settings include a full 49-area mode
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Panasonic DC-FZ80: autofocus settings include a full 49-area mode
Panasonic DC-FZ80: roughly the size of a small DSLR, but lighter than most
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Panasonic DC-FZ80: roughly the size of a small DSLR, but lighter than most
Panasonic DC-FZ80: the 35mm equivalent of a 20-1200mm lens. Yeah, that's crazy.
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Panasonic DC-FZ80: the 35mm equivalent of a 20-1200mm lens. Yeah, that's crazy.
Panasonic DC-FZ80: a versatile, fun superzoom all-rounder
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Panasonic DC-FZ80: a versatile, fun superzoom all-rounder
Panasonic DC-FZ80 sample shot: chromatic aberration isn't terrible. 3.6mm, ISO 80, F2.8, 1/800 sec
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Panasonic DC-FZ80 sample shot: chromatic aberration isn't terrible. 3.6mm, ISO 80, F2.8, 1/800 sec
Panasonic DC-FZ80 sample shot: 23.3mm, ISO 80, F5.2, 1/80 sec
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Panasonic DC-FZ80 sample shot: 23.3mm, ISO 80, F5.2, 1/80 sec
Panasonic DC-FZ80 sample shot: 92.3mm, ISO 80, F5.6, 1/125 sec
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Panasonic DC-FZ80 sample shot: 92.3mm, ISO 80, F5.6, 1/125 sec
Panasonic DC-FZ80 sample shot: 3.6mm, ISO 80, F2.8, 1/800 sec. Processed to bring up shadows and bring down highlights.
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Panasonic DC-FZ80 sample shot: 3.6mm, ISO 80, F2.8, 1/800 sec. Processed to bring up shadows and bring down highlights.
Panasonic DC-FZ80 sample shot: 215mm, ISO 250, F5.9, 1/125 sec. This shot is actually zoomed straight in from the previous one. Everything in frame here was behind the white van in the previous shot.
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Panasonic DC-FZ80 sample shot: 215mm, ISO 250, F5.9, 1/125 sec. This shot is actually zoomed straight in from the previous one. Everything in frame here was behind the white van in the previous shot.
Panasonic DC-FZ80 sample shot: 33.9mm, ISO 500, F5.5, 1/250 sec
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Panasonic DC-FZ80 sample shot: 33.9mm, ISO 500, F5.5, 1/250 sec
Panasonic DC-FZ80 sample shot: 3.6mm, ISO 80, F2.8, 1/250 sec
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Panasonic DC-FZ80 sample shot: 3.6mm, ISO 80, F2.8, 1/250 sec
Panasonic DC-FZ80 sample shot: 215mm (max optical zoom), ISO 500, F5.9, 1/125 sec
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Panasonic DC-FZ80 sample shot: 215mm (max optical zoom), ISO 500, F5.9, 1/125 sec
Panasonic DC-FZ80 sample shot: 215mm (max optical zoom), ISO 250, F5.8, 1/125 sec
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Panasonic DC-FZ80 sample shot: 215mm (max optical zoom), ISO 250, F5.8, 1/125 sec
Panasonic DC-FZ80 sample shot: 215mm (handheld), ISO 3200, F5.9, 1/10 sec. The kind of stabilization that lets you shoot handheld at 1/10 sec on effectively a 1200mm telephoto lens is pretty amazing, even if this image is quite noisy at ISO 3200
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Panasonic DC-FZ80 sample shot: 215mm (handheld), ISO 3200, F5.9, 1/10 sec. The kind of stabilization that lets you shoot handheld at 1/10 sec on effectively a 1200mm telephoto lens is pretty amazing, even if this image is quite noisy at ISO 3200
Panasonic DC-FZ80 sample shot: 3.6mm, ISO 200, F2.8, 1/60 sec. Only by putting the subject about an inch from the lens can you really get any blurred-background separation. This is due to the tiny sensor size.
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Panasonic DC-FZ80 sample shot: 3.6mm, ISO 200, F2.8, 1/60 sec. Only by putting the subject about an inch from the lens can you really get any blurred-background separation. This is due to the tiny sensor size.
Panasonic DC-FZ80 sample shot: 3.6mm, ISO 250, F2.8, 1/60 sec. Processed in photo editing software to add color and drama.
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Panasonic DC-FZ80 sample shot: 3.6mm, ISO 250, F2.8, 1/60 sec. Processed in photo editing software to add color and drama.
Panasonic DC-FZ80 sample shot: 4.8mm, ISO 80, F8.0, 1/160 sec
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Panasonic DC-FZ80 sample shot: 4.8mm, ISO 80, F8.0, 1/160 sec
Panasonic DC-FZ80 sample shot: 25.8mm, ISO 80, F8.0, 1/160 sec
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Panasonic DC-FZ80 sample shot: 25.8mm, ISO 80, F8.0, 1/160 sec
Panasonic DC-FZ80 sample shot: 64.9mm, ISO 1600, F8.0, 1/60 sec
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Panasonic DC-FZ80 sample shot: 64.9mm, ISO 1600, F8.0, 1/60 sec
Max zoom: 215mm (equivalent to 1200mm on a full frame camera)
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Max zoom: 215mm (equivalent to 1200mm on a full frame camera)
Out we go: 62.7mm
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Out we go: 62.7mm
And again: 30.2mm
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And again: 30.2mm
Getting pretty wide at 16.6mm
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Getting pretty wide at 16.6mm
The Nif Naf sign is tiny at 8.2mm
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The Nif Naf sign is tiny at 8.2mm
...and pretty much totally gone at the widest zoom of 3.6mm
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...and pretty much totally gone at the widest zoom of 3.6mm
View gallery - 27 images

One camera to rule them all, that's the dream. One rig that can handle any situation, without needing to carry a bunch of heavy, expensive lenses around. That's the idea behind Panasonic's DC-FZ80, as well as a bunch of other "superzoom" cameras that offer built-in lenses with a truly ludicrous zoom range.

In this case, you're getting a lens that goes from the equivalent of a 20mm ultra-wide (on a full frame camera) to a monstrous 1200mm super-telephoto. That sort of zoom range (60x) is borderline ridiculous.

You'll rarely want to go wider, and if you do, there's a built-in panoramic shooting mode that can suck in even more scenery. And at the long end… 1200mm is just about comical, it lets you clearly read street signs you can barely see with the naked eye. And if that's somehow not enough, you can go up to 4 times further in with digital zoom. Point it at the moon, and you can only fit a quarter of its cratery surface in the frame. It's outrageous.

Panasonic DC-FZ80: it's happy to see you
Panasonic DC-FZ80: it's happy to see you

Even more impressive is the fact that you can go to such zoom levels while hand-holding the camera, and the built-in image stabilization is so damn good that you can keep a flying aircraft in frame… Well, most of the time. Playing with this thing is a ton of fun.

There are compromises to be made for this obscene zoom range. The FZ80 uses a miniscule 1/2.3-inch sensor – check this excellent breakdown if you want to know what sensor size means.

In the case of the FZ80, it manifests in fairly ordinary low-light performance, with a max ISO of 6400 and a slightly noisy image from ISO800 upwards. Also, despite a nice F2.8 aperture at the wide end of the lens, it's hard to get much bokeh out of the lens without having the subject inches away from the camera. So don't expect a lot of creamy blurred-background shots here.

Panasonic DC-FZ80 sample shot: 3.6mm, ISO 200, F2.8, 1/60 sec. Only by putting the subject about an inch from the lens can you really get any blurred-background separation. This is due to the tiny sensor size.
Panasonic DC-FZ80 sample shot: 3.6mm, ISO 200, F2.8, 1/60 sec. Only by putting the subject about an inch from the lens can you really get any blurred-background separation. This is due to the tiny sensor size.

But as a walk-around shooter, it does a great job. Given the crazy zoom range of the lens, it delivers a fairly sharp and clean picture. Yes, there's some barrel distortion at the wide end, and some chromatic aberration (color fringing) around super-high contrast edges like sunlight through trees, but these things are easily corrected in photo editing spftware if you're the post-processing type. And if you're not, you might not notice them at all.

Likewise, dynamic range isn't terrible, and if you shoot RAW at low ISO, you'll find you can pull a bit of extra detail out of the shadows and highlights before the image starts falling apart.

Panasonic DC-FZ80 sample shot: 3.6mm, ISO 80, F2.8, 1/800 sec. Processed to bring up shadows and bring down highlights.
Panasonic DC-FZ80 sample shot: 3.6mm, ISO 80, F2.8, 1/800 sec. Processed to bring up shadows and bring down highlights.

Video

The FZ80 records 4K video at up to 30 frames per second, and offers a bunch of other resolutions and frame rates – up to 100 or 120 frames per second, which should make for reasonably good slow-mo shooting. There's full time autofocus during video recording, but we haven't found it super reliable, especially recording at long zoom levels. In all, though, it's a decent performer as a handheld video recording tool, particularly given that hard-working image stabilization gear. Take this video, hand held and starting out at max zoom...

Panasonic DC FZ80 superzoom test footage

Tasty tidbits

This camera has a lot of fun features that entry level users will enjoy. Two dozen picture modes from "backlit softness" to "artistic nightscape" and "clear sports shot" change camera settings to help you get what you're looking for, and then pre-apply image styles for those who aren't interested in post processing.

4K burst mode shooting machine-guns out 30 images per second to catch fast-moving subjects at just the right moment, and the depth from defocus autofocus system stands up pretty well in stills shooting at moderate zoom levels.

Panasonic DC-FZ80 sample shot: 3.6mm, ISO 80, F2.8, 1/250 sec
Panasonic DC-FZ80 sample shot: 3.6mm, ISO 80, F2.8, 1/250 sec

The 3-inch rear touch screen has 1040k dots, and the electronic viewfinder has 1170k. Both are good, but could be better. We'd prefer a fold-out rear screen at the back, and there's three things we're not mad about with the EVF: it doesn't have an eye sensor, so you've got to hit a button to turn it on and off; it doesn't block the sun out fully, so it can be hard to use outside in harsh sunlight; and it gets a little grainy from time to time. Still, it does the job and doesn't get in the way too much.

We like the fact that this camera is charged using a simple micro-USB cable. There's always one of those around, so you can go away on holiday with a bit of extra room in your bag.

Panasonic DC-FZ80: autofocus settings include a full 49-area mode
Panasonic DC-FZ80: autofocus settings include a full 49-area mode

Build quality… Well, it's lighter than it looks like it should be for its size, at just 1.3 lb (590 g). In one sense that's great. It won't get heavy on a shoulder strap over the course of a long day. In another sense, it does make it feel a touch plastic and lens-heavy.

This is a US$400 camera ($599 in Australia), so you're not comparing it to pro-level gear. The key metric with a camera like this is: does it do enough things that a phone camera can't do so that we'd bother to bring it with us?

In the FZ-80's case, yes it does. That extraordinary zoom lens opens up fascinating and fun new perspectives on the world, and lets you shoot street situations in a close and intimate way without your subjects ever knowing you're there. But this thing is good enough at medium and wide zoom angles to be more than a one-trick pony.

Panasonic DC-FZ80 sample shot: 215mm (max optical zoom), ISO 500, F5.9, 1/125 sec
Panasonic DC-FZ80 sample shot: 215mm (max optical zoom), ISO 500, F5.9, 1/125 sec

It won't compete with a DSLR, or heck even a micro four thirds, on outright image quality. But then, when you can zoom to the moon and back all night long without having to reach into a lens bag, maybe you'll be having too much fun to care. And if you're a private investigator taking long-distance snoop shots of unfaithful husbands, it's a no-brainer.

Product page: Panasonic (Australia)

View gallery - 27 images
6 comments
David Evans
Good review. However, being lazy, what I want to know is whether it's enough of an improvement on my FZ-70 to justify buying. (I know, I could just compare the gallery images, but that's hard work). I'm quite pleased with my FZ-70 except for a tendency to lose focus on small distant objects such as airplanes.
Nik
I'd like one.
JohnMarzich
Sensor is too small. Bright sunlight maybe but even 1" is small from my results. Micro 4/3 is so much larger that 1" and then aps-c if even bigger. Can not obtain quality low light with that sensor and of course the zoom needs a lot of light. Bigger sensor makes so much sense for that design.
Martin Hone
Good review. Pity about the jargon ...what the hell is "bokeh" ?
thk
@Martin,
http://www.thephotoargus.com/40-beautiful-examples-of-bokeh-photography/
Nik
I just bought one.